A True Story of Twenty-first Century Jazz
by

I once got on the train at 125th street by the old Apollo theater that runs express to Columbus Circle (a ten-minute ride). A man walks on just as the doors are closing. Just like Harlem’s buildings, he’s dressed in about seven different decades. The social consternation of a century of accumulated history brings with it an equally rotten taste in fashion. Amidst the fuchsias and scarlets and faded yellows, I hardly noticed he was holding a mint-condition pure gold saxophone.

As the train leaves the station he begins playing a chaotic series of tones. A dilettante’s Mahler it is ‘rough’ and ‘spontaneous.’ Really, ran ricocheted hostile forces in the shuddering metal can ‘til your vital forces (brain and flesh) were reduced to a punchcard.

The man stopped playing and pronounced to his captives:

I AM AN ALIEN

“I am from outer space and YOU cannot know ME! Give me money or I will hurt your ears!”

The Green Woman
Tell me, do they wear dark suits, and do they brandish sage and sticks of rowan when encountering a spirit?
Top Gun: Two Critical Perspectives
Tom Cruise knows how to read. He is the star of “Top Gun: Maverick”. He made the movie, he is the movie’s audience, and he is the enemy of the U.S. military.
Issue 5 Editor Diary: Skeuomorphic Boat Shoes
Selections from the editors' diaries. Consciousness is episodic. I can’t pretend to the clairvoyance of children.